漫长的告别1971 It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,writeas家教and,漫长的告别1971 again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)紧接着,就见几个人端着酒朝两人走来,顷刻间便将江音晚隔在了人群外。张梦莲的心再次提到了嗓子眼,但是听到他说出张梦莲三个字的时候,她居然不顾屁股的疼痛,兴高采烈的站了起来。“上洼里浇白菜里了。”何正果道,“让我在家复习,可怜天下父母心啊。”他沉声怒吼“如果当初不是你和你那个父亲在我和菲菲要订婚的前一天联合起来设计我,你连说她的资格都没有!”
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