最后的科学怪人 This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve,日产乱码卡一卡2卡三卡4卡 humans who cannot be controlled by their emotions. Of course,最后的科学怪人 the end result it not exactly what the good doctor expects. comments from imdb This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films. This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away. The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking. I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever. 15 out of 10 and then some. 1010 Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy. And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy. The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks. Intelligent, emotional, tragic and real, this is an absolute gem. 910下班之前我特意在外面确认张强不在后才拉着同事一起出门,同事见我害怕,特意把我送到出租屋才离开,我感激不已,连忙掏了钥匙准备开门,可是天太黑,对不准那钥匙孔……苏安没动了,大约靠了有几十秒的样子后,她听见沈枫说“这辈子没这么怕过。”看到林裴裴离开,沈书情忍不住松了一口气,她忍着眼前一阵又一阵的眩晕感,想要站起来。可变故却毫无预警的发生了,就在南荣景煜登基的前一日,在她临盆生下烨儿的当天,她的好夫君,竟向世人公布了她难产而亡的讣闻。
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