山姆·克莱默克的时间机器
剧情简介
山姆·克莱默克的时间机器 Since 1977,山姆·克莱默克的时间机器 Sam Klemke has been recording himself on film,爱了散了演员表 the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human. ‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’. Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel. Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.面前是一个人高的镜子，镜子里的人，衣服凌乱，全身湿透，露出凹凸有致的线条。这小丫头竟然在酒里放了东西，不然他怎么会与洛诗言做，那个女人他连碰都不想碰一下。《恋香》是一款女性向的游戏，陈朝南这个大男人当然不会去玩，虽然他从事有关游戏的工作，本身也喜欢玩各种各类的游戏，但也只是听说过这一款游戏的名称，在网络上看过一些背景的设定，然后就没有了。刘雪儿望着那个水生，冷漠一笑，谎话也能说出如此多的漏洞，真是可笑。
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