莱奥诺拉的告别 ThreeyearsafterthelossofhisbrotherVittorio,莱奥诺拉的告别withwhomhesharedhisentirecareer,电影绿椅子PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.安诗琪听见这话,谁也不敢怠慢,赶紧擦了擦自己脸上的眼泪,接着亦步亦趋的就跟着秘书走了。吃完饭程朔、程凯和老爷子去书房聊公司的事,两个媳妇儿陪着老太太走走,就剩下他们四个站在客厅中间。打个架废话都这么多,你们到底是怎么混的?罗超凡眼睛眯起,高高抬脚猛地踏在小混混的脸上。这时,几乎办公室的人都同时朝他们看过来,也有人小声议论、指指点点。
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