一切安好 Amegalithrisesfromasandydesert–orrather,一切安好ascalemodelofsuchalandscape.“Iamthearchive”,韩剧我是传说saysayoungfemalevoicewhileominousstringmusicnailsviewerstotheirseats.ThisopeningsetsthestageforthenarrativeandfigurativelanguageofRithyPanh’sdensemnemonicessaywhichusesstunningdioramastotellatwenty-firstcenturydystopianstory.Afteracenturyofgenocidalideologiesanddestructivespeciesism,animalshaveenslavedhumansandtakenovertheworld.Inawaveofhope,thestatuesofthepasthavebeenremovedbutnewonesarebeingerectedtosuppressthewillofthepeople.Thisisnowaplanetofapes,boarsandlions,andazoologicalrevolutionisreversingandrecreatingtheatrocitiesofthe20thcentury.Asanimalfigureswatchthefilmarchivesofourworld,itfeelsasifLumirehasbeentransportedintoafilmbyMlisorWillisH.O’Brien.Weareallwellawarethathistoryrepeatsitselffirstastragedy,thenasafarce.Thetimehasnowcomeforthisfarce,inwhich“politicallanguageinhabitsourdreamsandconsumesus”,toallowthepossibilityofa“gracefulandtenderinsubordination”toemerge.“瞧从灵这丫头,又去哪里皮了?这么晚才回家,不知道大家都在等你吃饭呢?”霍时洲动了,他踱步到沈婳背后,随手在桌上拿起一只玉簪,为沈婳插上。“啥?”进屋的女人挑了挑眉,一双水汪汪的眸子盯着王晓乐看了两眼,又扫了一圈整个屋子,眯眼道“晓乐,你屋里藏人了?!”因为农村和城里不一样,城里能对门都不认识,农村不行,吐沫星子淹死人,她们很注重自己的名声。
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