这是韩国最感人的电影之一:77岁哑巴外婆,用无私的爱让观众泪崩#我的外婆 Arare,天天综合—入口hystericalgemfromearlySovietcinema.CHEMIBEBIA(MYGRANDMOTHER)isaGeorgianavant-gardeslapsticksilentcomedythatwasbannedintheSovietUnionforalmost50years.Andit’sprettyeasytoseewhy.WhereaslaterGeorgianfilmmakersbecameratheradeptatslippingpoliticalcriticismunderthenosesoftheSovietcensors,这是韩国最感人的电影之一:77岁哑巴外婆,用无私的爱让观众泪崩#我的外婆thisfilmendswithacompletelyunambiguousrallyingcallforthedeathofbureaucrats.LotsofthecreativetechniquesoneassociateswithearlySovietcinemaareondisplayhere,buttheyarefilteredthroughasieveofearlyAmericanslapstickandusedmostly(andmostsuccessfully)forcomedy.ImagineHaroldLloydstarringinTerryGilliam’sBRAZILandyou’llstarttogetanideaofwhatMYGRANDMOTHERislike.It’shilarious,andhistoricallyit’sinterestingtowatchinthatit’sjustaspoliticallyobviousasanyotherearlySovietfilm,butinanentirelydifferentway.Imaginative,innovative,amazing!Thisisawonderfulfilmthatworksonsomanylevels.Asafarce,it’suptherewithCharlieChaplinorMonsieurHulot.It’sreallyfunny.Thescoreisabsolutelybrilliant.Theactingistop-notch.Asasatireoncorruptionandbureaucracy,ithitsthenailonthehead.Theelementsofsurrealismworktremendouslywellinacting,setsandscenes:justextremeenoughtomakethepointwellwithoutlosingtouchwiththeunderlyingreality.Throughallthis,keythemesaremaintained.Thedirectoralsoplayseffortlesslywithgender,ageandhierarchicalroles,switchingandunderminingthemrelentlessly.Innovativefilmtechniques,too,areusedexceptionallywell:puppetry,collage,distortionplusmanymore.Onecoulddoubtlessseethisfilmadozentimesandstillfindsomethingnew.苏离手腕上传来剧痛,陈季州粗粝的手掌心摩挲着她的手腕,她皮肤又嫩生生的,摩擦得她皮都破了。碧瑶狼狈瘫坐在地上,所有隐忍的情绪在刹那间分崩离析,泪如雨柱。看到差不多了,宁柠随意找了一家路边摊买了一份小吃,坐在角落里休息。不过,苏沐雨的愿望落空了,很显然,她对王淑文的了解还不够深呢。
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