芳心封鎖6.7
类型： 韩国电影 福建省 2024-05-25
主演： Gila Almagor
导演： 未知
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel,高桥广树 its mode of representation is almost always problematic. Gila Almagor in Tofano'芳心封鎖s "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
本来差点成为丧家之犬，没想到，一瞬间直接是成为了王家的掌权人。详情
芳心封鎖
剧情简介
芳心封鎖
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel,高桥广树 its mode of representation is almost always problematic. Gila Almagor in Tofano'芳心封鎖s "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
米素心看着桌上的支票眼里闪过一丝惊讶，事实上她就是见不得顾清欢好，在她来说，这根本不是钱的问题，昨天那也不过是一个为难顾清欢的托词。挽情心中狠狠一痛，她抬起头望着男人，一字一句问“你真要如此？”“唉，还不是当时年轻，受了别人的蛊惑，头脑一热就丢失了大好的机会。”温晴恍过神，硬生生的将眼底的泪水逼了回去，轻描淡写的说道。她向来是个心直口快的人，不喜欢和人绕弯，有些话不说，她心里不太舒服“楚凉夜，逼婚一事是我对不起你，可我在府中这两年，好像并没有做过什么伤害你的事，你这么对我，是不是有些太不人道了？”
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