麦吉的农场7.3
类型： 爱情电影 江西省 2024-03-03
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,红桃影院首页 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
我出声道“莎莎可能出事了，她保护我那么多回，是死是活我都得去看看！”详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,红桃影院首页 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
，以免对方识破自己的虚实。而此时树怪也进化成功，已是一颗参天大树，枝叶茂盛、盘根错节，那双不时眨巴的大眼睛显得更加诡异。许佳静腿一软，跪了下去，膝盖磕在冰凉的水泥地上，当即擦破了皮，她疼的叫了一声，“啊！”“付先生？你怎么了？区区一个叶家的养子而已，杀了也就杀了！”徐老太太皱着眉头开口。“小姐，别让老仆……”老仆话正说一半，突然脸色一变，喝道“谁？”
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