从今天到明天 Based on an unknown Schnberg opera from 1929,从今天到明天 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,曙光女神蕾欧娜 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.八年,一个女人能有几个八年,她为了讨得厉言深的欢心,付出了整整八年,却还是没能入得了他的眼。她点开一看,脸上的得意和微笑,顿时消退殆尽,迅速滑动屏幕,将接收的讯息从头至尾浏览了一遍,最终不可置信得看向沈长卿,“你……”她的总分从来没有超过600分,虽然,也没有低于600分,英文是数学成绩呈反比例,全班排名一直都是第五名。(虽然班上也只有十五人。)我用可以杀死她的眼光瞪她“来了正好,我可以找他报仇了。”
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