克里米亚的宝藏 Itwasafatefulcoincidencethatin2014,克里米亚的宝藏justwhentheAllardPiersonMuseuminAmsterdamwasstaginganexhibitionofCrimeanartworks,综合伊人久久在Russiaannexedtheregion.Sonowthequestionarisesofwhoshouldtheartworksbereturnedto?TothemuseumsinCrimeawhohadbeensokindastoloanthemout?OrtoUkraine,perhaps,thecountryCrimeabelongedtobeforetheannexation?Whatshouldthemuseum’sdirectorWimHupperetzdo?VeterandocumentaryfilmmakerOekeHoogendijk(TheNewRijksmuseum)isjustthewomanforthejobwhenitcomestoturningthiscomplexissueintoanexcitingfilm,andfindingthehumandimensioninatangledjudicialtug-of-war.Political,emotional,personal,cultural,andhistoricalinterestsalljostleforpositionaslawyersarguingfromapurelyjudicialperspectivepresenttheircaseanddistressedmuseumdirectorsfacebiggapsintheircollections.WhilearchaeologistsinCrimeacontinuetheirgroundbreakinghistoricalwork,itlooksliketheirpreviousfindsaregoingtobere-buriedintheNetherlands—shutofffromtheworldinawarehouse,theyareperhapsthebiggestlosersinthisconflict.两个人就这么相安无事的站在门口大概二十多分钟,似乎是估计着里面的两位妈妈快要聊完了,顾沉偏头看了她一眼,“回去吗?”电话那头的保镖湛岑到他的声音,悬在心上的巨石可算是落了地“爷,您现在在哪?”“留下吧,”她忽然打断,“我这里没什么好东西,既然陛下不要,留在我这里也不碍事。”“我让你扶我的胳膊啊,谁让你抓我的手掌?再说了,我手早洗过,还烘干了呢,怎么会没洗?”周宏宝笑着,很不客气地拉过女子的手,让她扶着他的胳膊。
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