最后的科学怪人 This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve,最后的科学怪人 humans who cannot be controlled by their emotions. Of course,通奸的世界 the end result it not exactly what the good doctor expects. comments from imdb This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films. This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away. The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking. I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever. 15 out of 10 and then some. 1010 Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy. And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy. The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks. Intelligent, emotional, tragic and real, this is an absolute gem. 910男人斜靠在浴池中,如玉的胸膛被热水熏得泛红,黑发散落在浴池的四周,透露出一股诡异的妖治。“那你还不如直接去教堂抢人。”我这么回答,顿了顿,想起一件事,说,“拉里嬷嬷有说过,夏洛蒂有当圣女的潜质,你想不开要跟教会作对可别拉上我。”花嫂是道士在城里给人算命的时候偶然认识的,花嫂人很好,见道士无家可归,就暂时收留了他,道士也时不时帮助花嫂看看生意风水运势啥的报答花嫂的收留之恩。而唐曦闻声也看去,瞧见女人的脸,她下意识的后退了一步,腿磕在凳腿上,生疼难忍。
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