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死亡之吻5.0

类型: 爱情电影  广东省  2024-06-27

主演: 维克多·斯约斯特洛姆 Albin Lavén 

导演: 未知

This crime drama is composed of three acts of approximate 10-minute duration each. The story itself,死亡之吻 shown in a long flashback style,日韩在线卡2卡3卡4卡5卡免费 leads us into the overall reconstruction of the crime, made by a mysteriously masked character.                                                                      The film was released 28 August 1916 in Finland. A fragmentary print was recovered in 2001 by the Cinmathque Franaise; in 2002 the fragments were preserved, with Swedish intertitles and supplemented with production photographs, by the Svenska Filminstituet in 2002.                                                                      Writing about Victor Sjstrm and quoted by Charlotte de Silva for the Embassy of Sweden in London, Jon Wengstrm of the Swedish Film Institute writes, "The pictorial compositions in Havsgamar/Sea Vultures (1916) and the complex narrative structure in the recently rediscovered Dodskyssen/Kiss of Death (1916) show a director in full command of the medium.

沐母鼻翼冷冷的哼了一声。沐蔷薇似乎有些心神不宁,尤其是看见沐紫薇,那种心神不宁更加的强烈了。详情

死亡之吻

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剧情简介

死亡之吻 

This crime drama is composed of three acts of approximate 10-minute duration each. The story itself,死亡之吻 shown in a long flashback style,日韩在线卡2卡3卡4卡5卡免费 leads us into the overall reconstruction of the crime, made by a mysteriously masked character.                                                                      The film was released 28 August 1916 in Finland. A fragmentary print was recovered in 2001 by the Cinmathque Franaise; in 2002 the fragments were preserved, with Swedish intertitles and supplemented with production photographs, by the Svenska Filminstituet in 2002.                                                                      Writing about Victor Sjstrm and quoted by Charlotte de Silva for the Embassy of Sweden in London, Jon Wengstrm of the Swedish Film Institute writes, "The pictorial compositions in Havsgamar/Sea Vultures (1916) and the complex narrative structure in the recently rediscovered Dodskyssen/Kiss of Death (1916) show a director in full command of the medium.

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