从今天到明天 Based on an unknown Schnberg opera from 1929,从今天到明天 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,西瓜影院 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.就在他们离开后不久,面包车内领头的女人愤怒咆哮道“就算是把白木市掘地三尺!也要把刚才那个混蛋给我找出来!”“怎么就不合适,我们都60多岁的人了,我们可是出了名的大聪明。又去幼稚园接回女儿,温晴如平常般哄睡女儿,坐在沙发上打开电视。她的态度,将陆肆年最后的理智磨灭,男人捏紧手机的手指,狠狠扣紧,险些将手机扳弯!
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