类型: 动漫电影 山西省 2024-05-13
主演: Gila Almagor
导演: 未知
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel,芳心封鎖 its mode of representation is almost always problematic. Gila Almagor in Tofano'看生活片s "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
路途上两人依然沉默,没有任何的搭话,张起灵还是一如既往的闭着双眼,像座无声无息的雕像伫立在车内。详情芳心封鎖
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel,芳心封鎖 its mode of representation is almost always problematic. Gila Almagor in Tofano'看生活片s "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
“不,我的意思是....我们似乎穿越时空了.....”灰狼一脸的苦笑,看着同伴们震惊的神色,无奈的摇了摇头。“也没什么事,就是我刚刚又找到了一些混沌之气,所以拿过来给他。他不在的话,那就送给华大夫你吧。”美女房东咬了一口包子,说道‘我已经联系了一位法师,他说很快就过来,等他过来看看吧,这位法师很出名,相信没什么问题的!’透过层层雨幕,陆晚看到了那个站在雨中撑着黑伞的高大男人,一如既往的矜贵高冷,哪怕只是一眼,就足以让人沦陷。Copyright © 2014-2024