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麦吉的农场5.4

类型: 综艺节目电影  香港特别行政区  2024-02-25

主演: 未知

导演: 未知

A portrait of an art institution as a cinematic landscape: in a succession of static shots,yellow在线观看完整版高清 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

而后,年迈的流浪者冲向了磁暴弹的部队,手里的金属棍子狠狠的砸在装甲车上,一瞬间,他也被一道离子枪束穿过身体,慢慢的倒下。详情

麦吉的农场

高清  - 在线播放,无需安装播放器

剧情简介

麦吉的农场 

A portrait of an art institution as a cinematic landscape: in a succession of static shots,yellow在线观看完整版高清 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

只要你压上身份证和学生证,再跟我们签一个合同,这个手机你马上就能拿走。她的眼睛依然停在包上,我观察着她的表情,故作担忧“那你姐夫也是这样吗?苏阳飞天天跟着他,不如你让他帮我探探口风?”她们以最快的速度检查了一下自己的仪容,确定自己从头到脚都很美。在两人身旁,一个衣着华贵的年轻人同样听着导购员的介绍,看向店铺正中央的那套西装时,面上露出一抹满意之色。

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