麦吉的农场7.2
类型： 热播排行 山西省 2024-11-24
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,越往里越痛的那种视频 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
时颜看着从车上下来的女人，她用尽全力的冲向陆雨薇，可还没靠近陆雨薇就被和她一起来的男人给控制住，时颜难听的声音从嘴里发出详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,越往里越痛的那种视频 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
一个小屋外面等着，而雨果在里面，立刻又用网购的方式，买了不少的酒。然而，他在清理工地现场时，发现工棚被人做过手脚，有人蓄意制造了事故，他当即报警。加上没有系统地学习过这方面的专业技能，所以现在的付墨染只是个半桶水。候，此时却是有一个男人拦在了两人面前，“祁先生，您的这位朋友是狗仔，要是就这样放她离开了，将这里的东西都爆料出去，岂不是会让我们损失许多？”
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