从今天到明天 Based on an unknown Schnberg opera from 1929,嗯嗯宝宝大声点快 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,从今天到明天 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.“哥哥今天要是不拿走,小雅可就生气了哦!”小雅突然钻出来萌萌道。然而想起从小到大见过的那些大夫,吃的那些数不清的药剂,很快又黯淡下去,“可是大夫们都说我这病治不好的。”沈菁不管周围人异样的眼光,把自己仅有的几样东西放在了工位上,然后坐在位置上熟悉业务。见到前面这男子,傅雪颜美目闪了闪,而后站起身来,“薛大哥,你来了?”
Copyright © 2014-2024