莱奥诺拉的告别 ThreeyearsafterthelossofhisbrotherVittorio,公交车两人双指探洞lhwithwhomhesharedhisentirecareer,莱奥诺拉的告别PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.在这个农家小院后面,有一个用碎砖头垒起的简易厕所,黄星快步走了过去。一觉睡醒便看见了父亲盛大宝,正在认真地糊纸盒,看见她醒了,盛大宝团团脸温暖地笑了,“舟舟。”眼瞅着时间已经来不及,程西西看了一眼自己的上海牌手表,已经7:55了,再过五分钟,她就赶不上这趟拖拉机了。那些多手多脚的水生怪物,一到了岸上,行动减慢不少,却因为数量众多、面目可憎,吓得岸上的人们四散奔逃,尖叫连连。
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