类型: 美国电影 香港特别行政区 2024-12-16
主演: 未知
导演: 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,晴雅集正版在线观看 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
她一步步,向前走,心脏像被黑暗里伸出无形的黑手,像拧掉湿毛巾的水分一样拧着,她的心,一滴滴的血,在里面流,在无人看见的身体里。详情麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,晴雅集正版在线观看 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
苏悦龇了龇牙,冲着季明硕的背影扮个鬼脸,下一秒,却见他豁然转身,冲她扬了扬唇。苏悦一呆,鬼脸僵在了脸上,直接变成了小丑。苏芸看着时浔离去的背影,原本柔和的目光瞬间变得狠厉,她攥紧了拳头。天啊!楚珍儿头晕目眩的。她以为那一点点红,是小日子快来了,哪想,这是怀上了,所以才这样的吗?苏墨晚眼中一喜,急切道“我弟弟南桓是兰草成仙,天生通草木之灵,到那时让他来给您打个杂,您看行吗?”Copyright © 2014-2024