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机器7.0

类型: 科幻电影  西藏自治区  2024-03-20

主演: 未知

导演: 未知

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory,机器 man and machine seem to have fused into one being. It is dark and dank,兽交手册 and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

“多少钱卖的?”他死死握着手机,抱着最后一丝期望小心翼翼的问道,老房区那边已经有消息要拆迁了,那三层农村小别墅怎么也值个小几百万了。详情

机器

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剧情简介

机器 

To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory,机器 man and machine seem to have fused into one being. It is dark and dank,兽交手册 and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)

“小唯乖,你不想去我就在这里抱着你。”凤鸠做了退步,但还是使了眼色命人去请药神过来。对于这种模样的凶兽,于凡还真提不起胃口,石龟也是,只能重新寻找目标。流凡眼角瞥见,外面都是围着自己的邻居,围得密密麻麻,但是他们面上都是又惊又惧,甚至还有冷漠的表情。“好啊,没想到你就是因为这个原因,来我这撒野。”严松脸色一寒!

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