非虚构日记6.3
类型： 电视剧 澳门特别行政区 2024-07-21
主演： 未知
导演： 未知
90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴,上楼梯每走一步顶一下客厅 삼풍 백화점 붕괴,非虚构日记 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition
我的脸颊被一片花瓶碎片划了一道口子，顾不及擦拭的我眼睛死死的盯着不知道是几种灵魁合成的怪物。详情
非虚构日记
剧情简介
非虚构日记
90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴,上楼梯每走一步顶一下客厅 삼풍 백화점 붕괴,非虚构日记 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition
说完，景孟装着若无其事的模样走向胡同口，不过他奇怪的走路姿势，凡是有常识的人都能看出他最脆弱的部分刚才遭遇惨无人道的袭击。当初他们其实也是想过让左惜玉继承左家的公司的，但是左晖在经历过商场上的黑暗之后已经不想让他的女儿也涉足其中了，不想让他 女儿沾染到这些黑暗的一面，这公司大不了在他老了管不了的时候卖掉就是了。“那就走。”苏安拉起了男人的手就要往民政局里面走，但是却男人却站住了脚步，扯唇笑了笑，算是无奈了，他柔着声音“登记结婚需要户口簿和身份证，我让人把那些东西送过来先，你先去里面排队插号。”可被我一拦，那胖子瞬间就怒了“谁拽我？给我滚！”他挣扎着，胳膊肘使劲一怼，一下子撞在了我的太阳穴上。
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