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麦吉的农场8.8

类型: 热播排行  浙江省  2024-04-05

主演: 未知

导演: 未知

A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,伊人网影院 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

顾小贝站在门边,转头看着金碧辉煌大厅内人模人样的一家人,握紧了身边茜茜的手。详情

麦吉的农场

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剧情简介

麦吉的农场 

A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,伊人网影院 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

刀瑾撑着下巴,抬了抬眼皮“嗯,顺带查查刀家跟江家最近的情况。”“我家里有点儿困难,能不能进去和您说?”彭静声音很低,似乎很焦急。“你不用说了,我知道了。”宁小米缓缓阖上眼帘,再睁开时,却依旧坚决“我愿意付三倍的诉讼费!哪怕只有百分之一的机会,也请你务必帮我把这场官司打下去!”男人嬉笑着侧过俊颜,朝洛瑶眨巴着那精致漂亮的眸眼,一脸真诚,“我可以养你一辈子......不,养好几辈子的!”

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