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麦吉的农场5.6

类型: 韩国电影  河南省  2024-07-09

主演: 未知

导演: 未知

A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,天美传媒tm0112豔母2 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

冷傲手中的灵剑猛然之间发出了一声剑啸,巨大的音波,正在以不可抵挡的气势开始蔓延,随即产生了一道能量波,朝着四面八方震散而去。详情

麦吉的农场

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剧情简介

麦吉的农场 

A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,天美传媒tm0112豔母2 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

我跟你说,我认识一个老道士,专门看手相的,就凭你的手指头,我一眼就看出你将来必定是一个大富大贵之人,我还……”三人切磋眼看就要拉开序幕的时候,阿歪突然说道,“啊,你们看,美女回来了,还带着一个超级大帅哥!”眼瞅着它就要动手,忽然,起了一阵诡异的风,将弥漫的黄雾吹散了。闻笙笑了笑,清丽的笑容恰到好处地掩藏了尴尬,“直接扫付款码更方便?”

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