从今天到明天 Based on an unknown Schnberg opera from 1929,zz女人与另类zz From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,从今天到明天 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.自己从十六岁开始就喜欢上他,为什么会输给一个看起来什么都不行的女孩?刚进门,护士小刘就眼皮子一挑“哟,韩护士回来了呢?这是又被唐院长好好宠爱了一番吧?瞧你,连路都走不稳了呢?”又愣了愣,在扫了一眼面露杀意的慕容清晖后,他又将目光转向罗沙,伸手掠了掠她颊边的发丝后,温柔地笑道“傻瓜,这还用问吗?”周如玉又气又妒,斜眼去看自家两个女儿,暗示性十足别人都会为自家娘亲说好话,现在你们老娘被欺负了,怎么不见你们出头啊?!
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