一切安好 Amegalithrisesfromasandydesert–orrather,一切安好ascalemodelofsuchalandscape.“Iamthearchive”,狗狗一放进去就变大视频saysayoungfemalevoicewhileominousstringmusicnailsviewerstotheirseats.ThisopeningsetsthestageforthenarrativeandfigurativelanguageofRithyPanh’sdensemnemonicessaywhichusesstunningdioramastotellatwenty-firstcenturydystopianstory.Afteracenturyofgenocidalideologiesanddestructivespeciesism,animalshaveenslavedhumansandtakenovertheworld.Inawaveofhope,thestatuesofthepasthavebeenremovedbutnewonesarebeingerectedtosuppressthewillofthepeople.Thisisnowaplanetofapes,boarsandlions,andazoologicalrevolutionisreversingandrecreatingtheatrocitiesofthe20thcentury.Asanimalfigureswatchthefilmarchivesofourworld,itfeelsasifLumirehasbeentransportedintoafilmbyMlisorWillisH.O’Brien.Weareallwellawarethathistoryrepeatsitselffirstastragedy,thenasafarce.Thetimehasnowcomeforthisfarce,inwhich“politicallanguageinhabitsourdreamsandconsumesus”,toallowthepossibilityofa“gracefulandtenderinsubordination”toemerge.“别急别急,”顾珩一看叶殊的反应,觉得事情大条了,他赶紧哄着,“唐宁嘉不喜欢他的。”而另一边,南岳侯府“老爷这是您交代给奴才要买的东西,另外有一件事情,奴才不知当讲不当讲。”“刚才停电,我跑去物业准备缴电费,出去一看才发现是整体停了。”这个家除了克雷特和那个年迈的丹姆斯,其他人仿佛都得了传染病,都在这个家待不住。
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