最后的科学怪人 This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve,z级一班3 humans who cannot be controlled by their emotions. Of course,最后的科学怪人 the end result it not exactly what the good doctor expects. comments from imdb This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films. This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away. The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking. I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever. 15 out of 10 and then some. 1010 Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy. And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy. The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks. Intelligent, emotional, tragic and real, this is an absolute gem. 910准确的说,这还是沈傲枫第一次这么强烈的感觉到了周围灵气!以往他可是对灵力的摄取和感知都是十分的不敏感,也是因此,所以他的灵力也一直没有什么变化起色。不知想到了什么,她又换上一副楚楚可怜的模样,“但是,但是我跟钧城哥哥是真心相爱的,你不能因为钧城哥哥不爱你,就恨我。盛红豆看去,觉得周围有些眼熟,直到走上前,才发现自己竟来到了曾经和季南生吃过的那家馄饨店!说着,那人看着酒店前面的季田田,心中嫌她又脏又碍眼,怕污了重要的场面,于是便将她一脚踹倒在了路边上,来回轰撵她。
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