不安分的年轻人们 Middle class student Bob Letellier enters a new world when he meets Alain,不安分的年轻人们 a free-thinking rebel who,bgmbgmbgm老太太视频hd along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carn is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinma such as Franois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinma franais in 1958. Whilst Les Tricheurs is not as flawless as Carn's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carn's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andra Parisy, although only Terzieff is really convincing in his role. Marcel Carn originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carn offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.“妈妈,我怎么会骗你呢,医生刚才真的和我说了,有办法能让爸爸醒过来!”看着母亲眼下的乌青,时卿劝慰道,“妈,你先睡会吧,要不然爸爸醒来了,你却累倒了该怎么办?”“针灸之术我知道,”秦云璋打断她,脸色狐疑,“可针灸之术是禁术,失传多年,我也是在多方寻找之下,偶然获得一套浅显的针灸之术的入门孤本。你……”陈佳雪看了秦阳一眼,眉头却凝的紧紧的,片刻后,手从旁边一名治安人员手里拿出了一份文件一样的东西。太累了吧,回去看看书吧第二天还要备考忙死了,别的不多想了马上就要到我的生日了希望老爸老妈会记得吧……给了自己这样的一个答案,自己就回学校去了……
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