开麦拉狂想曲 A comic celebration of dreamers and their dreams,花城谢怜下面夹毛笔写字write LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers,开麦拉狂想曲 it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.可能是杨经理电话通知了人,陈凌扶着顾梦婕还未出走廊,便有十来个混混青年拦住了去路。这些青年手上都亮了寒光闪闪的卡簧。“在家里闷了那么久,今日就是想出去走走,刚好我也没有去过青楼,今天就陪你去一趟,顺便看看那里有没有什么美丽的姑娘。”她逼近苏叶,用只有苏叶能听到的声音,威胁道“我要是你,就滚回山上,继续做尼姑!这可不是你废物该来的地方。”抬头看的时候,却看到一个嘴角嚼笑的男同学正站在我的座位旁边低头看着我。
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