法斯宾德：无索求地爱5.4
类型： 国产电影 辽宁省 2024-01-30
主演： 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔
导演： 未知
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德：无索求地爱 as well as a body of unique,8x拔播拔播x8影库永久免费 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
顾清云看了一眼窗外，似乎已经是天黑了，这里是哪里？宫里还是宫外？详情
法斯宾德：无索求地爱
剧情简介
法斯宾德：无索求地爱
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德：无索求地爱 as well as a body of unique,8x拔播拔播x8影库永久免费 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
“前几天看到我抱着几大袋零食神经兮兮的回到自己房间，然后一直就没有出来过，谁想到会突然猝死，果然啊写小说就是死路一条，幸好房租之前很爽快的交了。”“不论你们一个个安的是什么心思，但我今日把话讲清楚了，顾甜心是我的女人，冷家任她横行。这个世界上，能够接近她的只有两种人，一种叫冷绍辰，另一种，叫不要命的即逝者。不信，你们可以试试。寇野尘耐心告罄，他拧眉，扫过前台摆放的座机，询问前台“能否再帮我打个电话？”苏以辰看着兴致勃勃的温弥雅很无奈，凌晨三点就被她敲窗户给敲醒了，看她穿着睡衣，趴在窗户上笑嘻嘻的看着他“苏以辰，咱们去看日出好不好？”
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