法斯宾德：无索求地爱5.1
类型： 韩国电影 广东省 2024-09-18
主演： 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔
导演： 未知
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,色欲之死电影 as well as a body of unique,法斯宾德：无索求地爱 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
冷肆言帝国集团总裁，叱咤商界，铁血手腕，做事风格凌厉锋刃，凡是惹到他的人，皆不得好死。详情
法斯宾德：无索求地爱
剧情简介
法斯宾德：无索求地爱
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,色欲之死电影 as well as a body of unique,法斯宾德：无索求地爱 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
看来这次还真把舅苏给急坏了，学校现在正在紧急调查监控录像，苏晴萱只是去上个厕所，没有保镖跟随，她也没看清楚是谁推她。这里，的确是33层楼，可是她跨出的窗户却根本不是跃下楼的冷窗，而是接连阳台的窗户。“乖，不要哭，我马上就带你去看医生，我怎么会舍得让你受委屈呢。”“那还请李老师快点，人家主要是怕痒，这样弄着有些不太舒服呢。”
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