麦吉的农场5.3
类型： 美国电影 新疆维吾尔自治区 2024-08-19
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,小菊的春天秋天全集 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
“那让爸爸跟我一起睡，我有很小的一块地方就够了。”，甜甜坚持道。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,小菊的春天秋天全集 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
咔啦声乱响，那些骷髅竟然很识趣的向后几步，仍然低垂着双手。“这么快就反悔了，刚才还说不给我呢。”江昔谜微微一笑，道“可是我没有那么傻，值钱的是你这个人，现在你给我的这些，十年以后会是千倍百倍，我到时候再拿不好吗？”“不好意思哦让你等我这么久。”宋虞对着景琦眨眨眼，微微一笑，轻声道，“那我们走吧。”来到了一个林边小镇，向当地人打听着，是否有和自己一样的黄皮肤黑眼睛身穿迷彩服的人来过这里。
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