这是韩国最感人的电影之一:77岁哑巴外婆,用无私的爱让观众泪崩#我的外婆 Arare,他的舌头伸向了我的神秘地带hystericalgemfromearlySovietcinema.CHEMIBEBIA(MYGRANDMOTHER)isaGeorgianavant-gardeslapsticksilentcomedythatwasbannedintheSovietUnionforalmost50years.Andit’sprettyeasytoseewhy.WhereaslaterGeorgianfilmmakersbecameratheradeptatslippingpoliticalcriticismunderthenosesoftheSovietcensors,这是韩国最感人的电影之一:77岁哑巴外婆,用无私的爱让观众泪崩#我的外婆thisfilmendswithacompletelyunambiguousrallyingcallforthedeathofbureaucrats.LotsofthecreativetechniquesoneassociateswithearlySovietcinemaareondisplayhere,buttheyarefilteredthroughasieveofearlyAmericanslapstickandusedmostly(andmostsuccessfully)forcomedy.ImagineHaroldLloydstarringinTerryGilliam’sBRAZILandyou’llstarttogetanideaofwhatMYGRANDMOTHERislike.It’shilarious,andhistoricallyit’sinterestingtowatchinthatit’sjustaspoliticallyobviousasanyotherearlySovietfilm,butinanentirelydifferentway.Imaginative,innovative,amazing!Thisisawonderfulfilmthatworksonsomanylevels.Asafarce,it’suptherewithCharlieChaplinorMonsieurHulot.It’sreallyfunny.Thescoreisabsolutelybrilliant.Theactingistop-notch.Asasatireoncorruptionandbureaucracy,ithitsthenailonthehead.Theelementsofsurrealismworktremendouslywellinacting,setsandscenes:justextremeenoughtomakethepointwellwithoutlosingtouchwiththeunderlyingreality.Throughallthis,keythemesaremaintained.Thedirectoralsoplayseffortlesslywithgender,ageandhierarchicalroles,switchingandunderminingthemrelentlessly.Innovativefilmtechniques,too,areusedexceptionallywell:puppetry,collage,distortionplusmanymore.Onecoulddoubtlessseethisfilmadozentimesandstillfindsomethingnew.“找到了吗?”领头的铁骑问向手下“人不见了,只剩白马还在,四处没有蛛丝马迹显示他们逃跑的踪迹!”手下戴珂不可置信的看着他,“你难道就不怕小棠看见吗?她可是你的未婚妻啊!”她拿出手机,想给秦深发消息,却发现两人的聊天记录已经停留在很久之前。怎么忽然被拉进一个莫名其妙的微信群里,而这两个人,居然也叫王阳,一个自称奥佳帝国女皇的赘婿,一个自称玄女宗主的赘婿。
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