漫长的告别1971 It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,被涨醒的早晨hand,漫长的告别1971 again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)只是,火哥儿却一直沉睡,到了将近子时,竟然醒了过来,睁开一只眼睛看着其嬷嬷,“奶奶,我饿!”她略带挑衅的态度,令现场陷入一阵奇异的宁静之中,他们都小心翼翼的看着尊贵无比的东方凌的脸色,生怕这位大少爷一个心情不爽会气得抚袖而去。不过,看大坏龙的样子,他好似是不记得自己了,他看着自己的眼神很是陌生,好似下一刻就想问,“这小团子 哪里来的?”张贵难得机灵一回,立刻摆出主子的姿态,冲几个随从瞪眼道“还不快来给我们松绑?”
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