麦吉的农场5.0
类型： 动作电影 北京市 2024-09-05
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,妈妈咪呀20240426 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
切渴望的看着男人“爱我……”空气也仿佛在月光的幻觉下氤氲起了口干舌燥的感受。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,妈妈咪呀20240426 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
白冷泽跪在老人的墓前砰砰砰的磕了三个响头，然后站起身来朝着身后走去，再没有回头。尹礼赶紧将自助餐厅里发生的事从头到尾说了一遍，“现在餐厅里的气味都还没散去，卫生部门说要进行检测，以防是有毒气体，估计这几天都没有办法继续营业了。”飞儿啊，爷爷要去会会那个万兽盟的人了，你去前厅等着吧。云山河爱怜的抚摸着云飞扬的头顶。身后的其余乞丐们本就向小乞丐视为大哥，再说这个赌约于他们而言又没有坏处，于是便也跟着点了点头。
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