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不安分的年轻人们6.0

类型: 动漫电影  四川省  2024-10-14

主演: 帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔

导演: 未知

不安分的年轻人们

高清  - 在线播放,无需安装播放器

剧情简介

不安分的年轻人们 Middle class student Bob Letellier enters a new world when he meets Alain,红桃视频福利 a free-thinking rebel who,不安分的年轻人们 along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carn is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinma such as Franois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinma franais in 1958.    Whilst Les Tricheurs is not as flawless as Carn's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carn's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andra Parisy, although only Terzieff is really convincing in his role. Marcel Carn originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carn offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.“多日没见,老爷子依旧是老当益壮,神采飞扬。”张敏笑着拉着冷芸琦一道走过去寒暄。颜爸爸怎么会不知道这是心病,一般的医生哪能治得好,只得每天坐在床边开导颜妈妈,也不知道颜妈妈是听进去了还是没有。只是这病却仍是不见好转。雨幕下,男子直直的看着女子的双眼,即使下着大雨模糊了视线,柯婉月还是看见了男子眼中的坚定。吴晨见母亲头一次这般严肃的嘱咐自己,知道娘亲所交代的可能是其发自内心的心愿。“娘亲,无论将来遇到什么劫难,我一定会健健康康的好好生活。”连忙宽慰着此时与平常明显不同的娘亲。

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