最后的科学怪人 This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve,最后的科学怪人 humans who cannot be controlled by their emotions. Of course,四妻子影院网站入口 the end result it not exactly what the good doctor expects. comments from imdb This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films. This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away. The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking. I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever. 15 out of 10 and then some. 1010 Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy. And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy. The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks. Intelligent, emotional, tragic and real, this is an absolute gem. 910心里又气又怒,可是想到自己那被关在监牢里的女儿,佟玉梅只好强行压下怒气,“凤倾瑶,我念你是凤家嫡女,也就不指责你的过错了,但是芸儿是你的妹妹,你怎么可以污蔑她买凶杀人?”对你的宝物没兴趣窗外的树丛里传来一个懒洋洋的声音姓钟的,你太小看姑奶奶了吧树叶从中分开,托出一个人来,站在枝头冷冷地笑道,却是笑里藏刀。二人谈笑间加快脚程,一路向东北行去,天至晌午,进了慈州地界。嗓音虽哑却冷,“夫妻之间做这种事,也值得你这样不要命的反抗,你想要给谁吻你?”
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