这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆
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这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆 Arare,这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆hystericalgemfromearlySovietcinema.CHEMIBEBIA(MYGRANDMOTHER)isaGeorgianavant-gardeslapsticksilentcomedythatwasbannedintheSovietUnionforalmost50years.Andit’sprettyeasytoseewhy.WhereaslaterGeorgianfilmmakersbecameratheradeptatslippingpoliticalcriticismunderthenosesoftheSovietcensors,年轻的嫂子4电影thisfilmendswithacompletelyunambiguousrallyingcallforthedeathofbureaucrats.LotsofthecreativetechniquesoneassociateswithearlySovietcinemaareondisplayhere,buttheyarefilteredthroughasieveofearlyAmericanslapstickandusedmostly(andmostsuccessfully)forcomedy.ImagineHaroldLloydstarringinTerryGilliam’sBRAZILandyou’llstarttogetanideaofwhatMYGRANDMOTHERislike.It’shilarious,andhistoricallyit’sinterestingtowatchinthatit’sjustaspoliticallyobviousasanyotherearlySovietfilm,butinanentirelydifferentway.Imaginative,innovative,amazing!Thisisawonderfulfilmthatworksonsomanylevels.Asafarce,it’suptherewithCharlieChaplinorMonsieurHulot.It’sreallyfunny.Thescoreisabsolutelybrilliant.Theactingistop-notch.Asasatireoncorruptionandbureaucracy,ithitsthenailonthehead.Theelementsofsurrealismworktremendouslywellinacting,setsandscenes:justextremeenoughtomakethepointwellwithoutlosingtouchwiththeunderlyingreality.Throughallthis,keythemesaremaintained.Thedirectoralsoplayseffortlesslywithgender,ageandhierarchicalroles,switchingandunderminingthemrelentlessly.Innovativefilmtechniques,too,areusedexceptionallywell:puppetry,collage,distortionplusmanymore.Onecoulddoubtlessseethisfilmadozentimesandstillfindsomethingnew.到了门口，就看见韩见鄞一身赛车服，正在收拾着手中的行李。医院很快就到了，他们之所以瞒着长辈们私定终身，就是不想让顾乐云知晓。只是再是欢喜，可眼前的方烈也不是自己真正的儿子，所以又是一阵的忐忑和不安，真怕一个不小心，就被这便宜儿子给看穿他们的身份了。我饱了。杜若涵说完，逃也似地上楼了，生怕身后那人再说出什么惊人的话来。
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