这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆
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这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆 Arare,说说都是怎么日媳妇的知乎hystericalgemfromearlySovietcinema.CHEMIBEBIA(MYGRANDMOTHER)isaGeorgianavant-gardeslapsticksilentcomedythatwasbannedintheSovietUnionforalmost50years.Andit’sprettyeasytoseewhy.WhereaslaterGeorgianfilmmakersbecameratheradeptatslippingpoliticalcriticismunderthenosesoftheSovietcensors,这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆thisfilmendswithacompletelyunambiguousrallyingcallforthedeathofbureaucrats.LotsofthecreativetechniquesoneassociateswithearlySovietcinemaareondisplayhere,buttheyarefilteredthroughasieveofearlyAmericanslapstickandusedmostly(andmostsuccessfully)forcomedy.ImagineHaroldLloydstarringinTerryGilliam’sBRAZILandyou’llstarttogetanideaofwhatMYGRANDMOTHERislike.It’shilarious,andhistoricallyit’sinterestingtowatchinthatit’sjustaspoliticallyobviousasanyotherearlySovietfilm,butinanentirelydifferentway.Imaginative,innovative,amazing!Thisisawonderfulfilmthatworksonsomanylevels.Asafarce,it’suptherewithCharlieChaplinorMonsieurHulot.It’sreallyfunny.Thescoreisabsolutelybrilliant.Theactingistop-notch.Asasatireoncorruptionandbureaucracy,ithitsthenailonthehead.Theelementsofsurrealismworktremendouslywellinacting,setsandscenes:justextremeenoughtomakethepointwellwithoutlosingtouchwiththeunderlyingreality.Throughallthis,keythemesaremaintained.Thedirectoralsoplayseffortlesslywithgender,ageandhierarchicalroles,switchingandunderminingthemrelentlessly.Innovativefilmtechniques,too,areusedexceptionallywell:puppetry,collage,distortionplusmanymore.Onecoulddoubtlessseethisfilmadozentimesandstillfindsomethingnew.尹新巧却是拒绝他的任何帮助，冷淡的别开脸，“你走吧！我不想再见到你。”司徒南的那二百两和红蘑菇卖的二百两她现在还不能动，等家里一切好了她才能把目光放到商行去，商行那块肥肉，她要抓住，但不是现在。这五天以来，村里人四处都知道了，村长家出了个厉害的儿子，为什么？因为木鹏现在的苍木决也已经突破五层，进入了六层，也可以说能连青栀看着他清俊脸庞上扬起的笑靥，被他的情绪感染，重重地点头，“嗯。”
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