法斯宾德：无索求地爱8.8
类型： 美国电影 上海市 2024-10-03
主演： 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔
导演： 未知
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,华丽的挑战动漫在线观看完整版 as well as a body of unique,法斯宾德：无索求地爱 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
“颜儿既然有那个心女承父业来打理将军府，大伯自然是要支持的，今后的时间，大伯等着颜儿让大伯刮目相看！”详情
法斯宾德：无索求地爱
剧情简介
法斯宾德：无索求地爱
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,华丽的挑战动漫在线观看完整版 as well as a body of unique,法斯宾德：无索求地爱 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
裴越漆黑的眼底，夹杂着几分淡嘲，“夏锦书，怎么你喜欢的男人，想娶你的男人，一个比一个没眼看？”我感觉到有人进来，坐在我的旁边，可我不想说话，不希望他们知道我醒了，也不想知道，待会会发生什么事。厉景晟的双眼倏地阴沉了下来，连呼吸都像是在压抑，许久，才像是终于能够控制自己的双腿，绕了一条路，去前台结账。，唐浩辰感到死神离他越来越近了，这时，他的头突然感到一阵眩晕，使他没忍住倒在了地上。
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