从今天到明天 Based on an unknown Schnberg opera from 1929,从今天到明天 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,5178网站安装 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.没了衣物,凉意袭来,让慕星辰恢复了一点神智。少女的羞涩,让她有些不习惯如此坦诚。而且——就算不说那乐声,光是她能吸引蝴蝶,就已经完胜在场的所有人!“小冉,我给你介绍一下。他们是爸爸小时候的朋友。正好你们都到了结婚的年龄。我们彼此了解,最好月末把婚期定下来。”许海君不是商量,而是命令的口吻胡裕谦一副圣人的样子,站在“大爱”的致高点的上面谴责我们“天下就是需要普度众生的大爱,至于你们所说的爱只是你们自己的想法...”
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