这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆
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这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆 Arare,这是韩国最感人的电影之一：77岁哑巴外婆，用无私的爱让观众泪崩#我的外婆hystericalgemfromearlySovietcinema.CHEMIBEBIA(MYGRANDMOTHER)isaGeorgianavant-gardeslapsticksilentcomedythatwasbannedintheSovietUnionforalmost50years.Andit’sprettyeasytoseewhy.WhereaslaterGeorgianfilmmakersbecameratheradeptatslippingpoliticalcriticismunderthenosesoftheSovietcensors,寡妇的肉体完整版thisfilmendswithacompletelyunambiguousrallyingcallforthedeathofbureaucrats.LotsofthecreativetechniquesoneassociateswithearlySovietcinemaareondisplayhere,buttheyarefilteredthroughasieveofearlyAmericanslapstickandusedmostly(andmostsuccessfully)forcomedy.ImagineHaroldLloydstarringinTerryGilliam’sBRAZILandyou’llstarttogetanideaofwhatMYGRANDMOTHERislike.It’shilarious,andhistoricallyit’sinterestingtowatchinthatit’sjustaspoliticallyobviousasanyotherearlySovietfilm,butinanentirelydifferentway.Imaginative,innovative,amazing!Thisisawonderfulfilmthatworksonsomanylevels.Asafarce,it’suptherewithCharlieChaplinorMonsieurHulot.It’sreallyfunny.Thescoreisabsolutelybrilliant.Theactingistop-notch.Asasatireoncorruptionandbureaucracy,ithitsthenailonthehead.Theelementsofsurrealismworktremendouslywellinacting,setsandscenes:justextremeenoughtomakethepointwellwithoutlosingtouchwiththeunderlyingreality.Throughallthis,keythemesaremaintained.Thedirectoralsoplayseffortlesslywithgender,ageandhierarchicalroles,switchingandunderminingthemrelentlessly.Innovativefilmtechniques,too,areusedexceptionallywell:puppetry,collage,distortionplusmanymore.Onecoulddoubtlessseethisfilmadozentimesandstillfindsomethingnew.知道你和薄战夜睡了，让爸爸妈妈失望，让全家跟着你丢脸?还是你想让孩子变成人人唾骂的野种?”眼里闪过一丝狠戾，安绿瑶猝然转身，在白衣男子漆黑深邃的眸光下，出乎意料的坐在他的腿上，仰头吻上了他的唇……叶浩明走到了画布前，看见了画布上的人之后，他脸上的浅笑戛然而止，阴霾浮了上来，整张脸黑的可怕。她想不明白，范子离现在的处境如软柿子，谁见了都想捏一捏，就连下人也都时常的拿她消遣两句，如此这般境地谁还会和她过不去？
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