牛头怪 Acclaimed Mexican-Canadian auteur Nicols Pereda returns to the Festival with Minotaur,yy6080新视觉私人理论在线手机 a pendant to his 2009 feature Juntos. Shot in the Mexico City apartment of Pereda’s signature actor Gabino Rodrguez,牛头怪 Minotaur is an incandescent chamber piece that observes three thirtysomethings (Rodrguez, Luisa Pardo and Francisco Barreiro) as they sleep, dream, read, and receive visitors (including the housekeeper who takes care of them) in their communal space. A lovely and lethargic spell is cast as an ambiguous, Marienbad-like love triangle emerges among the trio, conveyed through literature (books function as telepathic transmitters and definers of relationships), choreography, and the acute physical presence of the three leads. Extending Pereda’s recurring interests in class, social structure and family relations in Mexican society in its wraithlike fantasy of a leisure class that is quite literally sustained in its narcoleptic existence by the ministrations of the domestic help, Minotaur evokes the films of Tsai Ming-liang in its distended naturalism, ritualistic solitude, and creation of a cloistered world suffused with longing. The surreal aura of Minotaur seeps beyond the confines of the trio’s apartment into a strange "night without distance" in Lois Patio’s hallucinatory portrait of border smuggling in the Gers Mountains between Portugal and Galicia. Casting real townsfolk, some of whom were smugglers in their youth, Patio places their stiffly Straubian presences within cross-processed, multilayered tableaux of rocks, river, and trees — an ever-indeterminate place that has imbibed and borne witness to innumerable, desperate acts of survival. Conjuring an instant in the memory of a landscape filled with ghosts, Night without distance extracts spellbinding fantasy from the real.提到两人的婚姻,江辰脸上的浓郁之色更甚,几乎是咬牙切齿地看向了苏袅,“你想干什么?”苏玥对上姜景恒的目光有片刻的尴尬,赶紧走过去拉着阿永走到旁边叮嘱道“宝贝儿,他不是你爸爸,你别乱说。”顾司明眸色暗下来,宋南晴的手拉起顾司明的手,我在手心里,“不让你白给,你问问外面那些女人的市场价,我不多收。”谷衣心有不甘,指着兴泰茶楼的方向又恳求道“叔叔,我弟弟就在那里,他生病了,他要是不吃东西会死的。叔叔,求求你了……”
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