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昆西四季5.9

类型: 美国电影  黑龙江省  2024-03-24

主演: 约翰·伯格 Ben Lerner Colin Ma 

导演: 未知

冬天,昆西四季蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的好友約翰伯格,精品一卡2卡3卡四卡新区兩人漫步於靄靄白雪的村莊、或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。夏天,於山村中和三兩藝術家漫談當代政治,佐以舊時影片、音樂,探索藝術如何述說政治。秋天,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生活中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四季的更迭,而山村的風景、動物、生活則是年復一年的循環,體現約翰口中「無窮延伸的此時此刻」。他的思想及人生觀與古老的農舍、青翠的綠地、放牧的牛群相呼相應,說著這個世界周遭人物景物的故事,阿爾卑斯山裡的小村莊,則是最迷人的舞台。(以上來自2016台北金馬影展)The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html

“都怪陈卫东那个混蛋,如果要不是他霸占了厨房,自己也不至于受这种苦。”详情

昆西四季

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剧情简介

昆西四季 

冬天,昆西四季蒂妲絲雲頓拜訪落腳於法國小山村四十餘年的好友約翰伯格,精品一卡2卡3卡四卡新区兩人漫步於靄靄白雪的村莊、或深或淺地,在小屋中聊起童年記憶與歷史承接。春天,透過凝視動物,經歷一場人類與動物關係的思辨。夏天,於山村中和三兩藝術家漫談當代政治,佐以舊時影片、音樂,探索藝術如何述說政治。秋天,蒂妲再度帶著孩子拜訪約翰以及約翰之子,在視野遼闊的山村生活中,發現傳承的意念存在於所觀看的每一片風景。四部短片象徵四季的更迭,而山村的風景、動物、生活則是年復一年的循環,體現約翰口中「無窮延伸的此時此刻」。他的思想及人生觀與古老的農舍、青翠的綠地、放牧的牛群相呼相應,說著這個世界周遭人物景物的故事,阿爾卑斯山裡的小村莊,則是最迷人的舞台。(以上來自2016台北金馬影展)The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html

“找死”一名大寇被轻视十分不爽,手起刀落,想一击干掉这个壮汉。他嘴角略微上扬,似乎看见了壮汉的结局。赵安琳正洋洋得意着,眸光一瞥,就看到了那个小男孩,同样的墨镜,同样的脸,她小声嘟囔了句,“真倒霉。”身后的吴大海替开口,昨儿教到十点,他叫他媳妇送江锦离回去的,回去天晚不说还下了一阵小雨,村里泥路又多天又黑,哪地可能跑去李跛子家塞纸条。荣浅有片刻的怔忡,并不是因为这些难听的话,而是因为罗慧子到底是怎么知道傅秋扬来过酒店,她又是哪里来的照片,等她缓过神来,心头突然涌上一股被人算计的滋味。

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