麦吉的农场8.8
类型： 电视剧 浙江省 2024-06-07
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,蜜桃成熟时3d在线 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
宋榅写的差不多了，揉了揉有些酸的脖子。她看了眼腕表，差不多还有一个小时就到樽城。满意的合上本子，伸了伸胳膊，也趴了下来。详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,蜜桃成熟时3d在线 James Benning explores the buildings and terrain of the California Institute of the Arts,麦吉的农场 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
他眼神阴沉如水，死死地瞪着底下从容不迫的聂北川，想要听到来自于聂北川的阻止声。当时的自己，完全不明白东方栩的心意，更没仔细思考过，东方栩给林兰的信是什么样的内容她以为风临庆会爽快同意，毕竟这段婚姻对他来说就是个束缚。说着，她又上前拉住时舒的胳膊，“小舒对不起啊!是我误会你了，既然你和枭哥哥关系那么好，那我也替你高兴。”
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