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麦吉的农场8.5

类型: 最近更新  广东省  2024-04-06

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导演: 未知

A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,功夫婆媳电视剧免费观看 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

“小辂啊,你看起来很开心啊,要不要切磋切磋。”师父还没说话,倒是琉裳师叔冷冷道。详情

麦吉的农场

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剧情简介

麦吉的农场 

A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,功夫婆媳电视剧免费观看 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

“如果手术任何一个细节出现失误,对肖薇薇来说可都是致命的伤害,你倒好,我没见比你还从容的手术医生,你心里肯定有数,别以为我不知道。”“除了这个,其他的要求你随便提。”林小也无奈的皱了皱眉。婢女瑟瑟发抖,也不敢回头,最近的二小姐简直大变样!阴冷冷的,好可怕!“哦!”杨林卫倒是语气淡定了下来,随即应了一句。看了一眼郑媛媛“你先进病房吧,我办完自己的事,就先回去了啊!”

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