麦吉的农场5.9
类型： 动作电影 山东省 2024-10-08
主演： 未知
导演： 未知
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,我爱5252在线永久观看软件 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
但是他不甘心！在他走出黄锦江办公室的一刻，他暗暗立誓失去的，我要加倍拿回来；付出的诚意，我要加倍收回！早晚有一天，老子要站在省城最高的楼顶上，让那些瞧不起自己的人仰视；让那些背叛自己的人，付出代价！详情
麦吉的农场
剧情简介
麦吉的农场
A portrait of an art institution as a cinematic landscape: in a succession of static shots,麦吉的农场 James Benning explores the buildings and terrain of the California Institute of the Arts,我爱5252在线永久观看软件 where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
前方驾驶座上，司机得到示意，“咔”的一下，打开车门，下了车。“今天对你来说是个重要的日子，你要认真对待。”她没等李幼一答话再次开口说道“你们几个老不死的不打算凑凑热闹？”可她还是天真地抱着希望，想着，有一天能焐热这个男人的心。时至今日，这世间再无那人的任何踪迹，只留下越传越玄乎的关于他的传说。
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