从今天到明天 Based on an unknown Schnberg opera from 1929,从今天到明天 From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man,骚麦网 while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danile Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schnberg’s atonal score, performed here by 70 musicians. That Schnberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schnberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schnberg canon—and the film such a challenging and intriguing experience.叶扶桑解释说道,“嗯,我需要对苏木进行全身针灸,不方便男士在场,或者你不介意也可以。”说的肯定不是传说,否则的话,我今晚为什么会遇见如此多奇怪的事情?休息了好一会儿,我慢慢地松动了筋骨,身上的酸麻感才不那么强烈了。身上的力道突然消失了,身边传来女子的惊呼声和男子的闷哼声,以及拳头屈打的声音。
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