丹麦小村教堂 The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation,丹麦小村教堂 beginning with the celebration of mass in a small and simple wooden church 800 years ago,不小心爱上所有 and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lnborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merlse Church. On 4 July, Dreyer went in advance to Ringkbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.只不过对方给她留下的印象实在是太过于深刻了,那样强大的雷电异能是前所未有的。子,只在胸口别了一朵大大的红色绒花,简单大气的衣服衬托的她张扬美艳。大雪纷纷扬扬,盖住了茫茫四野。不过,这雪倒很通人情,像跟学校商量过似地,怕学生偷懒不去上课,白茫茫中还没忘留出几条黑乎乎的湿路,不致让人迷了方向,找不到教室。“那我告诉你,你就算是死了,也是我祁墨辰的女人,我的妻子,是要日后和我葬在一起的女人。”看着她的样子,祁墨辰也在刺痛着,以为她在想其他的办法。
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