魔鬼的陷阱 InthetimeofCounter-Reformation,梦精爱1amillerandhissoncomeunderinvestigationbyapriestoftheInquisition,魔鬼的陷阱whenrumorsspreadthattheirprosperitycomesfromworkingwiththeDevil.TheDevil’sTrapisafilmdirectedbyFrantiekVl?il,basedonanovelbyAlfrdTechnik,adaptedbyFrantiekA.DvorkandMiloKratochvl.ItwasthefirstofthreehistoricaldramasthatVl?ilmadeduringtheCzechNewWave(technicallyheisn’treallyapartoftheNewWave,howeverthesefilmsweremadeduringthesameeraofartisticfreedom),precedinghismorewellknownMarketaLazarov(1967)andValleyoftheBees(1968).Setinthelate16thCenturyduringtheCatholicReformation,intheMoravianKarst,situatedinwhatisnowtheEasternCzechRepublic,ittellsthetaleofamiller(VtezslavVejrazka),andhissonJan(VtOlmer),whocomeundersuspicionandareinvestigatedbyaJesuitpriestoftheInquisition(MiroslavMachchek),whenrumorsofwitchcraftarespreadbythelocalregent(CestmrRanda),whoisjealousofthemiller’sprosperityanddegreeofrespectamongthelocalpopulace.AsexpectedfromVl?il,thisfilmisastunningexperienceallthewaythrough.Fromtheopeningshot,anominousmanipulationofperspectivewithacloseupofamangledfigureofChristdominatingtheforegroundagainstatinyfigureinblackwalkingalongthehorizon,tothebreathtakingconfrontationalfinaleinsidethevaststalactitefilledKarstcaverns,itisawonderfuldisplayofvisualmastery.MaybenotquiteasimpressiveasMarketaLazarov,butstillfullofastonishingimagery.Asseenfromuniqueanglesanddistinctpointsofviewwhichhighlightthedirector’sremarkablesenseofawarenessofframing,motion,andpositioningontheemotionalanddramatictoneofthescene.Themostmemorablebeingarepeatedshotwherethecameraissuspendedandlaunchedwithspeedthroughtheairtowardsthemiller’sdoor.ThestoryhereisasimpleoneandIwouldsaymoreaccessiblethanhislaterworks.Withaconventionalstructureemphasizedasmuchbyitsplotandcharacters,thanbyitsexpressionisticcinematographyorauthentichistoricaldetail.Theeventsplayoutwithoutmuchsurprise,andthereisastrongunderlying,almostsupernatural,mysteriousaspectthatisleftunresolved,infactbarelyexplored,whichisslightlydisappointing,butonlybecauseit’ssofascinatingthatIwishtherewasmore.Actingisgreatallaround.Particularlythevillains:MiroslavMachchekasthepriest,castingasinisterandimposingshadowwhereverhegoes,andCestmrRandaastheweasellikeregentbehindallthepersecution.WhileVtOlmerbringsacharismaticleadingmanpresenceinhisroleasthemiller’ssonJan,inlovewiththelovelyorphangirlMartina(KarlaChadimov),whobecomesadangerousobjectofrivalrybetweenJanandotheryoungmenofthevillage.ThefilmalsofeaturestheevocativemusicofZden?kLika(perhapsthemostprolificcomposeroftheCzechNewWave).InthishissecondofelevencollaborationswithVl?il,hiscompositionsareusedsparingly,buttogreateffect,complimentingbutneveroverpoweringascene.Thebestexampleofwhichcanbeheardinanamazinglyshotcelebrationanddancesequenceattheendofthesecondact.TheDevil’sTrapmightnotbeamasterpiece,butitisstillastrongeffort,withafascinatingstraightforwardstoryandaglorioushistoricalsettingcapturedbeautifullybyVl?il’sunmistakablevisualprowess.AfineworkthatwouldalsobetheperfectstarterplatetoprepareyourselfforthechallengingfeastofMarketaLazarovorTheValleyoftheBees.Itevenhasaneasytodigestrunningtime.It’sthereforepuzzlingwhythisgemremainslargelyoverlookedandignored.赵梅说道“对了,我听说四海集团新出了一款化妆品,老厉害了,据说返老还童不是梦啊!”“等案子结束,你随意去哪,再怎么被欺负,也跟我无关。”他语气平淡,不再嘲讽,目视前方,直到将车开到他家稳稳地停住。也便在这时,跟着一同进来的陶云冬倚靠在门框上,吊儿郎当地嗤笑了一句。“先生,你是还需要点什么?”末小汐开口,绝然的没有提那钱的事情。
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