法斯宾德：无索求地爱8.7
类型： 美国电影 江苏省 2024-08-18
主演： 赖纳·维尔纳·法斯宾德 伊尔姆·赫尔曼 哈里·贝尔
导演： 未知
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德：无索求地爱 as well as a body of unique,情事电影完整中文版 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
沈家七个孩子，阳盛阴衰就沈星晚这么一个女孩，排名老幺，可以说是全家捧在手心里的一块宝贝。详情
法斯宾德：无索求地爱
剧情简介
法斯宾德：无索求地爱
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled,法斯宾德：无索求地爱 as well as a body of unique,情事电影完整中文版 multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015
看到沈明宣的脸色变的苍白如纸，关晴晴意识到自己说错了话，她赶紧放下手中的杯子。目的就是为了将徐凉扫地出门，这样大伯家就可以独霸徐家的产业了。出了游戏舱，于青随随便便去厨房做了饭菜，便匆匆忙忙吃完。吃完饭后来到阳台上点“我认识忘忧岛医仙，可以带他去求医。”徐卿然声音清冷甚至不带一丝一毫的情绪。
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